Jo-Jo Bellini: This and That, A Late Night Tasty Delight. | Mumble Comedy

Jo-Jo Bellini: This and That, A Late Night Tasty Delight. | Mumble Comedy

Skip to content

Mumble Comedy
Surveying International Comedy

Menu
Mumble HQ
Comedy
Cirque
Theatre
Music
Opera
Art
Festivals
Words
Musicals
Skyflyers

HomeJo-Jo Bellini: This and That, A Late Night Tasty Delight.

Jo-Jo Bellini: This and That, A Late Night Tasty Delight.

August 7, 2015 yodamo
Uncategorized

Stand 4
5-16th August
22:40
£8

Did you have a bad auntie when you were a kid? You’ll know one if you had one. A bad auntie is loud and funny, and by no means necessarily an actual relative. She’ll bring you sweets and give you cash from her purse, she’ll buy you clothes you love, and that your mum won’t let you wear outside of the house afterwards. She’s a bit flashy, a bit sexy, a bit gaudy, a bit much. She has an edge: she drinks a lot of gin…  it could go either way by the end of the night. There will be singing at some point: you can rely on that.  If your childhood held such an exciting figure you’ll recognise Ms Bellini immediately. She is the archetypical bad auntie, in all her majesty and tragedy. Watch her belting Tom Jones songs out in a gawdy frock, making lewd gestures with vegetables and flirting outrageously with other people’s husbands.  She’s a fascinating glittery car crash: the woman ten pints in at the local karaoke, dressed more for her Eurovision debut than another Friday night down The Hoppy. Jo-Jo Bellini: liberating shameless, unreservedly passionate and properly silly. There are some great songs and gags here, but neither her voice nor her jokes the real strength or charm of the show. Bellini brings the private, closed-door kitchen-sink diva that lurks within all of us out under the spotlight, inviting us all to be just as wantonly daft as she is. You will sing-along, and love it, you will be fed, you may win an elephant. There is a genuine sense of audience camaraderie by the end, and the crowd leave on a perceivable high. This would be a perfect end to a fringe night out with pals, a very cute show to take a date –it’s a bit saucy, and I don’t just mean the food- and is even the sort of thing you could go see with your mum in the safe knowledge that no-one’s about to say anything ‘too political.”
It would be a miserable soul indeed who wasn’t a wee bit cheered by This and That: A Late Night Tasty Delight. Well worth a visit. FOUR STARS

READ  Julian Clary | Mumble Comedy

Reviewer : Katie Craig

Share this:TwitterFacebookLike this:Like Loading…

Related

Post navigation
← Aaaand Now for Something Completely Improvised Richard Soames Does the Right Thing →

Leave a Reply Cancel reply

Enter your comment here…

Fill in your details below or click an icon to log in:

Email (required) (Address never made public)

Name (required)

Website

You are commenting using your WordPress.com account.
( Log Out / 
Change )

You are commenting using your Google account.
( Log Out / 
Change )

You are commenting using your Twitter account.
( Log Out / 
Change )

You are commenting using your Facebook account.
( Log Out / 
Change )

Cancel
Connecting to %s

Notify me of new comments via email. Notify me of new posts via email.

Search for:

From the Tweenies to the Twenties

Rollin’ With The Ro

Beehive Yourself

Half Way

Food For The Soul

Meet The Wee Man

Good Vibes

Havin’ A Pop

Summerhall Sandwich

No Riots Here

Culture Vulture

Meet Paul Fletcher

Rime Royal

First Friday of the Fringe

Mime Time

In The Beginning…

Alibi: Scene 3 – 4

Dating Samantha Pressdee

Alibi: Scenes 1-2

Timewarpin’: Scenes 8-Outro

Timewarpin’: Scenes 6-7

Timewarpin’: Scenes 3-5

Timewarpin’: Scene 1b

Timewarpin’: Intro – Scene 1a

THE PEOPLE’S FRINGE: Edinburgh 2020

Tinky Disco: Scenes 8b-9

Tinky Disco: Scene 8a

Tinky Disco: Scenes 6b-7

Tinky Disco: Scenes 5-6a

Tinky Disco: Scenes 3-4

Tinky Disco: Scenes 1-2

Gilded Balloon On The Coronavirus

No Nay Never: Scenes 10b-11

No Nay Never: Scenes 8-10a

No Nay Never: Scenes 6-7

No Nay Never: Scenes 4-5

Dane Baptiste Returns to Edinburgh Fringe Festival 2020

No Nay Never: Scene 3

No Nay Never: Scenes 1-2

Gangstaland: Scene 12

Gangstaland: Scenes 10-11

Gangstaland: Scenes 6-9

Gangstaland: Scene 5

Gangstaland: Scenes 2-4

Gangstaland: Scene 1

Interview: PLUG IN Girls

READ  Murder She Didn’t Write | Mumble Comedy

An Interview with Cat Alvarado

An Interview with Rob Gee

Njambi McGrath: Accidental Coconut

Darius Davies: Persian of Interest

Twonkey’s Ten Year Twitch

Jez Watts: Absolute Zero

Meatball Séance

Bad Boys

Will Rowland: Cocoon

Our 2014 Poster

Steve N Allen: Better Than

An Interview with The Establishment

An Interview with Eli Matthewson

Alex Farrow: Philosophy A-Level

Nathan Cassidy: Observational

Matt Hobs BSc (Bristolian of Science)

An Interview with Hopwood DePree

MTT: Dinner With Comedians

Robyn Perkins: Mating Selection

An Interview with Steve N. Allen

Aaron Twitchen: Can’t Stop a Rainbow

Jack Tucker: Comedy Stand Up Hour

Adam Flood & Blake AJ: Joke Boys

Baba Brinkman’s Rap Guide to Culture

Mark and Haydn: Llaugh

Sunjai Arif: Which Princess Are You?

Will Penswick: Nørdic(k)

Jon Long: Planet-Killing Machine

Naomi Karavani: Dominant

Grandad’s Grandad-Themed Family Reunion

Richard Wright Is Just Happy to be Involved

Byron Bertram: Passport and Prozac

Any Suggestions Doctor? The Improvised Doctor Who Parody

Lolly Jones: I Believe in Merkels

Jeroen Bloemhoff: A List of 100 Things That Unreasonably Annoy Me

Jim Campbell: Beef

Robin Morgan: What a Man, What a Man, What a Man, What a Mighty Good Man (Say It Again Now)

Flora Anderson: Romantic

The Dots

Anesti Danelis: Six Frets Under

Ollie Horn: Pig in Japan

Alasdair Beckett-King: The Interdimensional ABK

Cry Babies: Danger Brigade

Eli Matthewson – An Inconvenient Poof

Harriet Braine: Les Admirables

Erich McElroy: Radical Centrist

Martha McBrier: Happiness Bully

Joe Bor: The Story of Walter & Herbert

AJ Holmes: Yeah, But Not Right Now

Expanding the Mumbleverse

Tania Edwards: Don’t Mention It

Konstantin Kisin: Orwell That Ends Well

Gary G Knightley: Twat Out Of Hell

Black Sheep

Luke Rollason’s Infinite Content

Snack Chat

Oleg Denisov: Russian Troll

Myra Dubois: Dead Funny

An Interview with Erich McElroy

Hurst Schmurst

James Barr: Thirst Trap

Fat Blast and Crackers: 101 Sketches in 50 minutes

READ  Jacob Hatton: Relax! (Exclamation Mark) | Mumble Comedy

Wit & Mirth

Sonia Aste: Made In Spain 2

Joe Jacobs: Grimefulness

Elizabethan

Troy Hawke: Tiles of the Unexpected

An Interview with Scribbling Ape

Privates: A Sperm Odyssey

Langston Kerman: Loose Cannon

The Wonder Jam

An Interview with Black Sheep

Chris Washington: Raconteur

The Establishment: Le Bureau de Strange

Men With Coconuts

Brandi Alexander

A Jewish Sexagenarian and a Liverpudlian Plumber Walk into a Bar…

Louisa Fitzhardinge: Comma Sutra

An Interview with Michelle Aldridge

An Interview with Henry Churney and John Wilson

An Interview with The Bareback Kings

An Interview with Oleg Denisov

An Interview with Sarah Lee

An Interview with Gary G Knightley

An Interview with Bróccán Tyzack-Carlin

An Interview with Ryan Dalton

An Interview with Konstantin Kisin

An Interview with Joe Bor

Mumble Rumbles (i): That Adam Riches Eruption

An Interview with Nigel Osner

An Interview with Samantha Pressdee

An Interview with Naomi Karavani

An Interview with Travis Jay

An Interview with Sonia Aste

An Interview with Stephen Catling

An Interview with Mandy Muden

An Interview with Nathan Cassidy

Meet The Team

An Interview with Dom Mackie

The Carnal Magic of Scott Agnew’s “Work in Progress”

Commissioned

An Interview with Sonia Aste

An Evening with Rick Molland

An Interview with Nathan Cassidy

An Interview with Katy Schutte

Follow Mumble Comedy on WordPress.com

Blog at WordPress.com.

Post to

Cancel

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here:

Cookie Policy

%d bloggers like this:

Scroll to Top