An Interview with Lewis Doherty | Mumble Comedy

An Interview with Lewis Doherty | Mumble Comedy

Skip to content

Mumble Comedy
Surveying International Comedy

Menu
Mumble HQ
Comedy
Cirque
Theatre
Music
Opera
Art
Festivals
Words
Musicals
Skyflyers

HomeAn Interview with Lewis Doherty

An Interview with Lewis Doherty

July 26, 2018August 2, 2018 yodamo
Fringe 2018

A member of the hilarious Laughing Stock is doing something on their own this Fringe; it was imperative that the Mumble found out what was going on…

Hello Lewis, so where ya from and where ya at, geographically speaking?
Lewis: I was born in Nottingham and I’ve been living in London since about 2013 – I’ve lived in an old peoples’ home, a halfway house and a warehouse with no windows…the struggle is real. I now live in Crystal Palace with 6 house plants and a Muji Diffuser *other diffusers are available.
When did you first realise you could make people laugh?
Lewis: My Dad has a glass eye and when I was a kid I would go into my parents’ room, grab his spare eye (he didn’t wear this one), lick it and stick it to my forehead. I’d then try and scare my mum with it – she just ended up laughing at me every time. I kinda wish I still had it (the eye). I peaked early.

What is it about performing live you love the most?
Lewis: I think I enjoy people’s reactions the most; I like pushing the medium and what people think is possible on stage. It’s like creating a physical language throughout the show, teaching that language to the audience, and by the end they’re fluent in it. That’s how a 30+ multi-man brawl is possible with just one human and a couple lights… I hope.
You’ve got three famous figures from history coming round for dinner. Who would they be & what would you cook; starter, mains & dessert?
Lewis: Alright here we go:
– Tupac Shakur
– Ma Anand Sheela
– Prince (Prince was apparently either Vegan or Vegetarian according to the internet… let’s pretend he’s not)
Arrosticini
Starter
Arrosticini (simple, easy, absolutely pengers)
Served with freshly baked sourdough bread with truffle oil and kalamata olives
Mains
Bucatini all’Atrescatori – Bucatini is one of the best pasta sauces I’ve ever tasted, real spicy flavours combined with salty pork jowl and pecorino, combine that with the Trescatori pasta from Abruzzo (like spaghetti but a tube) and you’re onto a serious winner
Dessert
Home-made Lemon Sorbet & Limoncello
Can you tell us about Laughing Stock?
Lewis: Laughing Stock was born out of leaving drama school and expecting to at least get some work here and there… that didn’t happen, so myself and three other down and out individuals got together to make something (anything) and comedy seemed to come pretty naturally to us. We just had a lot of fun messing around, so we went down that road. We had an amazing and stressful three years at Edinburgh and it took us to some brilliant places and we met some fantastic people. I would say it was the catalyst for me to explore what my own work would be like.
You’re bringing a solo show, Wolf, to the Fringe; why did you go down this road & how are you finding being funny on your own?
Lewis: It was last year at the Fringe with Laughing Stock and I’d always spoken about doing a one man show, so Rhys Bevan (my Laughing Stock Brother from another Mother) applied for himself and I to share an hour slot at Vault Festival – we got the slot and I had to come up with 30 minutes of material on my own, at the time it was the scariest thing I have ever done, and that’s how WOLF was born.
Can you tell us more about Wolf?
Lewis: It’s about an ex cop called WOLF, who returns to Shadow City to investigate his ex partners death. There’s bar fights, car chases, helicopters, guns, a monologue about pasta – its got it all! There’s also a helluva lot of influence from Film, TV, and Comics – pretty much whatever I’m into I’ll put in the show. There’s 30+ characters, no props or costume, and I make 90% of the sound effects myself – it’s a slog.

READ  An Interview with Luke Nowell | Mumble Comedy

What have been the processes behind the creation of Wolf, from inception to hatching?
Lewis: Before I did anything I had a really hard think about how I wanted the show to feel, I worked around a lot of themes and had a really clear image of what all the locations in the show looked like in real time – then I listened to A LOT of music, I feel like that was the most useful anchor to me in the creation of the show. A really clear ‘mood’ helped a lot. I really wanted to show audiences something that they never thought would be possible on stage. It’s an extremely ambitious show and it’s just me and a chair when you really look at the bare bones of it. I’m trying to draw a clear picture of what I want the audience to see and then they get to colour it in themselves.
How did your previews at VAULT Festival and The North Wall go, & have you tweaked the show since?
Lewis: Surprisingly well – it’s always easier to perform to friends and family because they’ll be supportive no matter what – but I never expected such a positive reaction from it. I’m so proud of the show and how much people seem to genuinely enjoy watching it. If I get half that kind of feedback or admiration from people of Edinburgh I’ll be over the moon.
How is director John Hoggarth handling your brain-baby?
Lewis: John is an amazing human – I honestly don’t think I would be in this position without his help and support. We’ve worked together now for about 5 years and I trust him completely. He is genuinely interested in nurturing a project and watching it blossom, he’s pretty funny too and that always helps.

READ  Joe Jacobs : Ripe | Mumble Comedy

What advice could you give to somebody performing at the Fringe for the first time?
Lewis: Be as prepared as you can be but never, ever, take it too seriously – it’s really hard to get bogged down and stressed about it all but concentrate on the things you’re in control of – everything else isn’t worth the brain power. Whatever happens, just do the best you can do and try to enjoy yourself along the way – if good reviews and audiences come from that, you’ve done a great job.
You’ve got 20 seconds to sell the show to somebody in the street, what would you say?
Lewis: “Hiya, just wondering if you wanna see me turn into a cyborg ninja assassin on a motorbike and chase a guy off a bridge into a river? Yes!? Come with me.”

Wolf
Underbelly Cowgate
Aug 2-12/14-19/21-26 (20.00)

Tweets by @dohertylewis

Share this:TwitterFacebookLike this:Like Loading…

Related

Post navigation
← An Interview with Kevin Matviw An Interview with Great British Mysteries? →

One thought on “An Interview with Lewis Doherty”

Deb Mackin says:

August 8, 2018 at 5:54 pm

My mouth was open from start to finish in amazement, awe, like how did he just create that scene and he when will he slow down? The characters and the music will blow you away.Comic genius -we salute you Lewis! Best thing we’ve seen this time.

Reply

Leave a Reply Cancel reply

Enter your comment here…

Fill in your details below or click an icon to log in:

Email (required) (Address never made public)

Name (required)

Website

You are commenting using your WordPress.com account.
( Log Out / 
Change )

You are commenting using your Google account.
( Log Out / 
Change )

You are commenting using your Twitter account.
( Log Out / 
Change )

You are commenting using your Facebook account.
( Log Out / 
Change )

Cancel
Connecting to %s

Notify me of new comments via email. Notify me of new posts via email.

Search for:

From the Tweenies to the Twenties

Rollin’ With The Ro

Beehive Yourself

Half Way

Food For The Soul

Meet The Wee Man

Good Vibes

Havin’ A Pop

Summerhall Sandwich

No Riots Here

Culture Vulture

Meet Paul Fletcher

Rime Royal

First Friday of the Fringe

Mime Time

In The Beginning…

Alibi: Scene 3 – 4

Dating Samantha Pressdee

Alibi: Scenes 1-2

Timewarpin’: Scenes 8-Outro

Timewarpin’: Scenes 6-7

Timewarpin’: Scenes 3-5

Timewarpin’: Scene 1b

Timewarpin’: Intro – Scene 1a

THE PEOPLE’S FRINGE: Edinburgh 2020

Tinky Disco: Scenes 8b-9

Tinky Disco: Scene 8a

Tinky Disco: Scenes 6b-7

Tinky Disco: Scenes 5-6a

Tinky Disco: Scenes 3-4

Tinky Disco: Scenes 1-2

Gilded Balloon On The Coronavirus

No Nay Never: Scenes 10b-11

No Nay Never: Scenes 8-10a

No Nay Never: Scenes 6-7

No Nay Never: Scenes 4-5

Dane Baptiste Returns to Edinburgh Fringe Festival 2020

No Nay Never: Scene 3

No Nay Never: Scenes 1-2

Gangstaland: Scene 12

Gangstaland: Scenes 10-11

Gangstaland: Scenes 6-9

Gangstaland: Scene 5

Gangstaland: Scenes 2-4

Gangstaland: Scene 1

Interview: PLUG IN Girls

An Interview with Cat Alvarado

READ  Invisible Badminton & Other Dreams | Mumble Comedy

An Interview with Rob Gee

Njambi McGrath: Accidental Coconut

Darius Davies: Persian of Interest

Twonkey’s Ten Year Twitch

Jez Watts: Absolute Zero

Meatball Séance

Bad Boys

Will Rowland: Cocoon

Our 2014 Poster

Steve N Allen: Better Than

An Interview with The Establishment

An Interview with Eli Matthewson

Alex Farrow: Philosophy A-Level

Nathan Cassidy: Observational

Matt Hobs BSc (Bristolian of Science)

An Interview with Hopwood DePree

MTT: Dinner With Comedians

Robyn Perkins: Mating Selection

An Interview with Steve N. Allen

Aaron Twitchen: Can’t Stop a Rainbow

Jack Tucker: Comedy Stand Up Hour

Adam Flood & Blake AJ: Joke Boys

Baba Brinkman’s Rap Guide to Culture

Mark and Haydn: Llaugh

Sunjai Arif: Which Princess Are You?

Will Penswick: Nørdic(k)

Jon Long: Planet-Killing Machine

Naomi Karavani: Dominant

Grandad’s Grandad-Themed Family Reunion

Richard Wright Is Just Happy to be Involved

Byron Bertram: Passport and Prozac

Any Suggestions Doctor? The Improvised Doctor Who Parody

Lolly Jones: I Believe in Merkels

Jeroen Bloemhoff: A List of 100 Things That Unreasonably Annoy Me

Jim Campbell: Beef

Robin Morgan: What a Man, What a Man, What a Man, What a Mighty Good Man (Say It Again Now)

Flora Anderson: Romantic

The Dots

Anesti Danelis: Six Frets Under

Ollie Horn: Pig in Japan

Alasdair Beckett-King: The Interdimensional ABK

Cry Babies: Danger Brigade

Eli Matthewson – An Inconvenient Poof

Harriet Braine: Les Admirables

Erich McElroy: Radical Centrist

Martha McBrier: Happiness Bully

Joe Bor: The Story of Walter & Herbert

AJ Holmes: Yeah, But Not Right Now

Expanding the Mumbleverse

Tania Edwards: Don’t Mention It

Konstantin Kisin: Orwell That Ends Well

Gary G Knightley: Twat Out Of Hell

Black Sheep

Luke Rollason’s Infinite Content

Snack Chat

Oleg Denisov: Russian Troll

Myra Dubois: Dead Funny

An Interview with Erich McElroy

Hurst Schmurst

James Barr: Thirst Trap

Fat Blast and Crackers: 101 Sketches in 50 minutes

Wit & Mirth

Sonia Aste: Made In Spain 2

Joe Jacobs: Grimefulness

Elizabethan

Troy Hawke: Tiles of the Unexpected

An Interview with Scribbling Ape

Privates: A Sperm Odyssey

Langston Kerman: Loose Cannon

The Wonder Jam

An Interview with Black Sheep

Chris Washington: Raconteur

The Establishment: Le Bureau de Strange

Men With Coconuts

Brandi Alexander

A Jewish Sexagenarian and a Liverpudlian Plumber Walk into a Bar…

Louisa Fitzhardinge: Comma Sutra

An Interview with Michelle Aldridge

An Interview with Henry Churney and John Wilson

An Interview with The Bareback Kings

An Interview with Oleg Denisov

An Interview with Sarah Lee

An Interview with Gary G Knightley

An Interview with Bróccán Tyzack-Carlin

An Interview with Ryan Dalton

An Interview with Konstantin Kisin

An Interview with Joe Bor

Mumble Rumbles (i): That Adam Riches Eruption

An Interview with Nigel Osner

An Interview with Samantha Pressdee

An Interview with Naomi Karavani

An Interview with Travis Jay

An Interview with Sonia Aste

An Interview with Stephen Catling

An Interview with Mandy Muden

An Interview with Nathan Cassidy

Meet The Team

An Interview with Dom Mackie

The Carnal Magic of Scott Agnew’s “Work in Progress”

Commissioned

An Interview with Sonia Aste

An Evening with Rick Molland

An Interview with Nathan Cassidy

An Interview with Katy Schutte

Follow Mumble Comedy on WordPress.com

Blog at WordPress.com.

Post to

Cancel

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here:

Cookie Policy

%d bloggers like this:

Scroll to Top